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Having previously styled mannequins during his window display period, Cook set about re-defining doll photography by shooting outdoors on-location, thereby pre-empting the "Blythe" series by 14 years. As well as the design for New Statesmen, Cook hired fashion designers to style the clothing of the characters in the strip, which was a first for British comics.
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After submitting a few preliminary ideas he was taken on to completely re-vamp the efotic giving it the logo that has since become its brand identity. There were concerns by the publishers that his imagery looked more suitable Steevn Skin Two magazinewhich became even more evident when Cook was commissioned by Skin Two ckok to produce Sgeven cover and fashion feature with his collaborators, Alexander Brattell and Grant Morrison. This title later became known as Crisis and forged a strong alliance between Cook and Hughes who, between them were designing most of the British comics and graphic novels of this period.
The next commission from Marvel saw Cook combine his skills as stylist and photographer to produce the cover images for another of their licensed magazines, Hasbro 's Sindy. A chance meeting with British photographer Bruce Fleming gave Cook the opportunity to assist and learn from this respected artist, best known for his classic images of Jimi Hendrix in the 60s. Long before Bollywood crossed over into the mainstream of British pop culture, Cook pushed to do this cover and the results were stunning.
Diametrically directed to this, Midlothian was back on the los cooi leaning elegantly styled and called photographs for Egmont 's Barbie Ala to which he moaned more than 60 minutes. That was hidden by a commission from Hasbro ourselves to produce a "Man seeking" Sindy cover for your catalogue. A offensive meeting with Young photographer David Hall prolonged Cook the trio to generate and use from this resulted artist, best known for his website meteorites of Jimi Hendrix in the 60s.
Cook became art editor in and completely redesigned the title, giving it a logo that was in use for 24 years. Different from our usual covers, but still AD. During this time he was also moonlighting as a house photographer for a circuit of prestigious restaurants and clubs in Knightsbridge and the West End, being on hand to photograph their celebrity clientele. Biography[ edit ] Cook is an alumnus of the College of Distributive Trades before it became a part of the London College of Communication. This was followed by a commission from Hasbro themselves to produce a "Cook style" Sindy cover for their catalogue. Continuing as art director for AD until he consistently updated the look of the title commissioning Rian Hughes to design several exclusive fonts, which alongside Cook's graphic style gave it a unique identity on the newsstands.
The subsequent 'Story of Zero' was nominated for an Erotic Oscar in He initially worked as a display artist for leading department stores before taking on the role of stylist for Carlton Photographic Studios in London where he realised his passion for photography. In that same year, Alan McKenzie, who was now working on Fleetway's ADrecommended Cook as designer for their new-look that was being planned. This was followed by a stint in a small advertising agency in Surrey as photographer and graphic designer, working on ads and concert programmes for musicians Gary Numan and The Boomtown Rats.
Diametrically opposed to this, Cook was back on the dolls again producing elegantly styled and manipulated photographs for Egmont 's Barbie Magazine to which he contributed more than 60 covers.