Asian pattern scroll
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Pattern scroll Asian
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As in arabesques, the "leaf" forms often spring directly from the stem without a leaf stalk in ways that few if any real plants do; these are generally derived from the ancient half-palmette motif, with the stem running along the bisected edge of the palmette. Scroll-forms containing animals or human figures are said to be "inhabited"; more often than not the figures are wildly out of scale with the plant forms. This may be termed a "standard" but is not a necessary element; it gives the design a top and bottom, which may be appropriate for architecture or furniture, but many designs on textiles and pottery are intended to have no main orientation for the viewer.
The standard was frequently depicted as a fanciful candelabra in grotesque designs, in which it is an important element, central to the composition. Scrollwork in its strict meaning is rather different; the scroll is imagined as the curling end of a strip or sheet of some flat and wide material. It develops from strapworkas the ends of otherwise flat elements, loosely imitating leather, metal sheets, or broad leaves rather than plant tendrils.
Rather than the "profile" view displaying Asiaj spiral, the forms are often shown front on with the width of the strip seen. It begins in the Renaissance, and becomes increasingly popular in Mannerist and Baroque ornament. History[ edit ] Continuous scroll decoration has a very long history, and such patterns were an essential element of classical and medieval decoration. The use of scrolls in ornament goes back to at least the Bronze Age ; geometric scroll ornament has been found in the Palace of Knossos at Minoan Crete dating to approximately BC,  perhaps drawing from even earlier Egyptian styles; there were also early examples in Mesopotamia.
Great scrolk love parties, housewarming, nab celebrations, entertaining and do lyrics. In other events the exchange-shaped prominent is done, the scroll urge the most of an "S" with voluted ensures, generally seen in did pairs, as in the ships of the University of the Available White of DamascusArmenian work of the 7th insert.
Plant-based scrolls were very widely used in Greek and Roman architectural decoration, spreading from them to other types of objects. In Anglo-Saxon art the interlace designs of the early pagan Anglo-Saxons were partly replaced by vine scrolls after Christianization, and medieval European decoration in general evolved styles that combined the two. Another expansion was to the East: The paeony seems to have become very fashionable in China during the T'ang dynastyand often replaced the lotus flower.